About
Less polish. More point of view.
The about page now includes a large portrait and keeps the layout clean and editorial, so it feels considered rather than blocky.
I like work that feels designed by a person, not assembled by a template. Usually that means strong hierarchy, obvious visual intent, and just enough roughness to stop it feeling too clinical. I tend to start with the core idea and the pacing of the message, then build visuals that support that story rather than bury it.
I’m drawn to poster logic, editorial composition, traditional illustration cues, and tactile surfaces. The sweet spot is where everything feels clear and modern, but still has a pulse to it.
ApproachClear concept first. Interesting craft second. No over-designing just to prove effort.
InfluencesPrinted matter, poster systems, old editorial layouts, cut paper, linework, and warm image handling.
Useful atTurning an early rough idea into something shareable, understandable, and visually convincing.